The AQA strands
- The orchestral music of Copland.
- British music of Arnold, Britten, Maxwell Davies and Tavener.
- The orchestral music of Kodály and Bartók.
- The minimalism of Adams, Reich and Riley.
20th-century styles
- Copland wrote music with an American sound, using folk tunes, open fifths, syncopation and bright orchestration, such as in his ballets.
- Kodály and Bartók used folk music from Hungary, with modal melodies, irregular rhythms and dissonance.
- British composers such as Britten wrote operas and choral music; Tavener's music is often slow and spiritual.
Minimalism
- Minimalism uses short repeated patterns (loops or cells) that change very gradually.
- Techniques include phasing (the same pattern played at slightly different speeds so the parts drift apart), additive and subtractive melody (adding or removing notes), and layering.
- Harmony changes slowly, and there is often a steady pulse. Reich, Riley and Adams are key minimalists.
Other modern techniques
- Atonality, dissonance, irregular metres, unusual playing techniques, and music technology.
Key terms
- Minimalism
- A style built on short repeated patterns that change gradually.
- Phasing
- The same pattern played at slightly different speeds so the parts drift apart.
- Additive melody
- A pattern that grows by adding notes each time.
- Cell
- A short musical idea used as a building block.
- Open fifth
- Two notes a fifth apart with no third, giving a bare sound.
- Irregular metre
- A time signature with an unusual number of beats, such as 7/8.
Practise Western classical tradition since 1910: 10 questions